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Tate Modern (44,742)
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Totnes from the River Dart
[title not known]
The Via Appia Antica, Rome: the Circus of Maxentius; and Two Views Approaching the Tomb of Cecilia Metella
The Valley of Chamonix
The Theatre of Marcellus, Rome
The Sea! The Sea!
The River Esk, and Johnny Armstrong’s Tower
The River Aniene with the Ponte Salario and Torre Salaria, Rome
The Rio di San Luca, Venice, with the Church of San Luca and the Back of the Palazzo Grimani
The Rigi: Last Rays
The Rigi from Küssnacht
The Punta della Dogana from the Entrance to the Grand Canal, Venice, with San Giorgio Maggiore across the Bacino Beyond
The Prince of Orange Landing at Torbay, engraved by W. Miller
The Piazzetta, Venice, from the Piazza San Marco (St Mark’s Square), at Night, with the Campanile and Palazzo Ducale (Doge’s Palace)
The Pass of the Splügen: Sample Study
The Parting of Hero and Leander, engraved by S. Bradshaw
The Cathedral and Entrance to the Bookseller’s Court at Rouen, Normandy
The Campanili of Santo Stefano, San Moisè and San Marco (St Mark’s), Venice, from the Hotel Europa (Palazzo Giustinian)
The Armoury, Abbotsford
Sunset
Sunset
Sunlight and Figures in the White Library
Study of the Venus de’ Medici
Study of Female Nude and Hogarth’s ‘Line of Grace’
Study for ‘The Battle of Trafalgar, as Seen from the Mizen Starboard Shrouds of the Victory’
Study for ‘Hannibal Passing the Alps’, for Rogers’s ‘Italy’
Studies of Cows
Sketch of Titian’s ‘Sacred and Profane Love’ in the Galleria Borghese, Rome, and Notes on Other Paintings
Sketch Map of the Meuse between Givet and Dinant; Part of a Fort
Sidon, engraved by E. Finden
Sea and Sky
Scarborough
Rouen: The Left Bank, with Shipping Beyond
River Scene: ?Near Isleworth
Pont-Neuf, Paris
Pont-Neuf, Paris
North Wales: A Single-Arched Stone Bridge and a Cottage, with ?Aran Fawddwy Beyond
Mont Pilatus: Sunset
Mars and Venus, after Guercino
Mantes, engraved by William Radclyffe
Luxembourg from the North
Landscape sketches of Nemi, and Lake Nemi from Ariccia
Kingston Bank
Interior of Durham Cathedral: The Nave and Crossing Seen from the South Aisle
Inscription by Turner: Lines from Robert Blair’s ‘The Grave’
In Arundel Park
Fittleworth Mill on the River Rother
Fishing Boats in a Rough Sea
Fishing Boats in a Choppy Sea
?Figures Engaged in Sexual Activity
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![[title not known]](https://www.tate.org.uk/art/images/work/D/D20/D20396_10.jpg){kind=link}
