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Battle of Eighteen Nude Men, c. 1520
The Veil, c. 1887
Les Propos de Thomas Vireloque: Ego! ego…ego - all equal (egaux-ego, buth pronounced alike), 1853
Britannia Between Scylla and Charybdis, published April 8, 1793
Ornament with Women Fighting, c. 1460
La Samaritaine, 1897
Seated Woman from the Front with Hat, Face Hooded, 1910
“‘The unwelcome hints of Mr. Shepherd, his Agent,’ Chapter I” frontispiece for Jane Austen’s Persuasion, 1898
Study for Spandrel Decoration with Satyress, Satyrs, and Putti (recto); Head of Putto (verso), c. 1588
The Occupation, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, 1774
The Auvers Valley on the Oise River, after 1884
Boys Bathing, 1899
“I don’t dare take them down yet…it would hurt him too much”, c. 1892
Camille Pissarro, A Self-Portrait, c. 1890
Reading, 1879, published 1887
Landscape in Crozant, c. 1898
On the Terrace of a Hotel in Bordighera: The Painter Jean Martin Reviews His Bill (Illustration for Edmond Renoir’s “L’étiquette”), 1881
Sunset and Moonrise, c. 1832
Two Women Bathing, c. 1895
The Blind Man and his Companion, plate nine from The Beggars, c. 1622
Shield with a Lion, Held by an Angel, n.d.
The Angel Appearing to the Shepherds, 1634
Self-Portrait, 1898
The Rape of a Sabine Woman, Frontal View, c. 1598
France-Champagne, 1889–91
Ophelia, 1906
Whistler’s Mother, after Whistler, c. 1883
The Terror of Grenelle, 1894
Arthur Haden, 1859
The Organ Player and His Wife, 1495/1503
Pan and Syrinx, n.d.
Quai des Grands Augustine, Paris, 1906
Profile of Eva Gonzales, Turned to the Left, 1870
Evening, 1898
The Terrace Bridge, Central Park, 1901
An Old Song, plate five from Yvette Guilbert, 1898, printed 1930
Adam and Eve (The Fall of Man), c. 1514
Bacchanal with a Wine Vat, c. 1470
Pinning the Hat, 1898
A Bewigged Painter (Possibly Claude Audran), Seated at his Easel, Seen in Profile, c. 1709
The Penance of Saint John Chrysostom, c. 1510
Sadness, after 1698
Sketches of Algerian Men, c. 1832
The Agility and Audacity of Juanito Apinani in the ring at Madrid, plate 20 from The Art of Bullfighting, 1814/16, published 1816
The Entombment of Christ, 1579/93
Nude Woman Seated with Nude Man Asleep (recto); Female Torso Seen from Behind (verso), 1875 (recto); c. 1875 (verso)
Madame Charles Gounod, 1859
Woman with Red Hair and Green Eyes. The Sin, 1902
The Circle of the Lustful: Paolo and Francesca. Inferno, canto V, 1827, printed c. 1892
“- Adelaide, Adelaide.. I think I can see the comet coming!!… - Oh my God… this is the end of the world…. how annoying. They promised it wouldn’t come until June 13!,” plate 31 from Croquis Parisiens, February 18, 1857
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