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And So Was His Grandfather, plate 39 from Los Caprichos, 1797/99
The Bath, 1892/95
The Penitence of Saint John Chrysostom, 1509
St. Agnes, n.d.
The Temptation of Saint Anthony, plate 16 from the Emblemata Secularia, published 1596 or 1611
Kneeling Mother Embracing Child, c. 1550
The Canterbury Pilgrims, 1810
The Gown Falls, Man Remains, and the Legs are Shaking. (J.B. Rousseau), plate 10 from Coquetterie, published October 18, 1840
Sailboats, 1899
Portrait of the Artist’s Mother, 1775
The Mass of St. Gregory, from a Book of Hours, 1460/70
Hercules and the Hydra, from The Labors of Hercules, 1545
Peacock Feather, 1877
The Meeting of Abraham and Melchizedek, c. 1719
The Lamp, 1890–91
Caesar’s Tower and Part of Warwick Castle from the Island, plate three from Views of Warwick Castle, January 1776
Allegory of Fire (Venus in the Forge of Vulcan), n.d.
Shipwreck, n.d.
Christ Driving the Money Changers from the Temple, 1635
View in the St. Gotthard Pass, Switzerland, 1842
”- You are not having your bottle of beer with us this evening… I can tell you are having a private dinner party today, you scoundrel…,” plate 81 from Les Bons Bourgeois, 1849
Mary Cassatt at the Louvre: The Paintings Gallery, 1879–80
Lady Barkley, September 22, 1795
Saint Francis Receiving the Stigmata, c. 1581
A True Art Lover, plate 66 from Les Bons Bourgeois, 1847
The Return of the Prodigal Son, 1636
Cover for L’exemple de Ninon de Lenclos amoureuse, 1898
The Toilet of Venus, 1783
Auti te pape (Women at the River) from the Noa Noa Suite, 1893/94, printed and published 1921
Death and the Woman, 1894
Eldorado: Aristide Bruant, 1892
The Crucifixion, from The Large Passion, 1498, published 1511
The Artist’s Farm and Vineyard, n.d.
Punch, 1874
Ophelia’s Death, 1843
At an Old English Eating House, n.d.
Battle of the Sea Gods: Right Half of a Frieze, 1470/1500
Titania’s Awakening, 1803
Cottage at the Top of a Hill, c. 1660
Portrait of French Student, 1901
Mahna no varua ino (The Devil Speaks), from the Noa Noa Suite, 1894
Bust of a Man Facing Forward, 1630/40
The Engagement of an Artist. “- So you want an engagement in my theatre….. very well Mademoiselle…… since you are so pretty, it will be 1200 Francs…. that’s of course what you will be paying me each year! - I accept… under the condition that I will not get a raise!,” plate 72 from Les Beaux Jours De La Vie, 1845
Tahitian Idol—the Goddess Hina, 1894/95
Child with a Biscuit (Jean Renoir), 1898/99
Sunday in Paris, 1887
Anxiety, 1896
The Witches’ Sabbath (recto); Sketches of Centaurs (verso), c. 1883
At the Concert, 1896
The Thames, 1896
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