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The Spirit of Knowledge, 1798
Dance of Death, plate 39 from Woodcuts from Books of the XVI Century, 1567, assembled into portfolio 1937
Five Landsknechte and an Oriental Man on Horseback, c. 1495
Sketches of Decorative Motifs (recto); Sketch of Decorative Motif (verso), 1629/60
Sketches of Figures, Pandanus Leaf, and Vanilla Plant, 1891/93
Sacrifice to Priapus, the larger plate, 1499/1501
David and Goliath, 1655
Sad Ascent, plate nine from In Dreams, 1879
An Allegory of Statuary or Lament of Sculpture, 1629
Solomon’s Idolatry, 1514
And that Eyes without Heads Were Floating Like Mollusks, plate 13 of 24, 1896
Saint Simon, from The Martyrdom of the Apostles, c. 1512
The Bride, cover for The Prima Donna Waltz sheet music, 1850
Avarice, from the Vices, 1552
Design for a Gothic Arch with the Artist and Effie Ruskin Embracing (recto); Design for a Gothic Arch with Effie as an Angel (verso), 1853
The Little Abbot Reading the Ramayana, 1883
Wooded Lane at Pontoise, 1879
The Rejection of Joachim’s Offering, from The Life of the Virgin, c. 1504
Landscape painters at work, plate 309 from Souvenirs d’artistes, 1862
The Holy Family Resting on the Flight into Egypt, 1610/17
Sketches of a Lute Player and Lute, 1756
Breton Bathers, from the Volpini Suite, 1889
View of the Temple of Hercules at Cori, ten miles distant from Velletri, from Views of Rome, 1769, published 1800–07
Leda and the Swan, published July 7, 1893
The Other’s Health, plate nine from Intimacies, 1898
Sketchbook, ca. 1590
Georgiana, Duchess of Devonshire, 1780
Head of a Sea God, 1730/1740
A Camel, 1646
Valerian Through Volkamenia, from The Illuminated Language of Flowers, published 1884
Head of Pythagoras, 18th century
Woman with the Arrow, 1661
Christ Carried to the Tomb, c. 1645
Saint Luke Painting the Virgin and Child, 1526
Church and Farm at Éragny, 1895
Self-Portrait, 1895
Te atua (The God), from the Noa Noa Suite, 1894
David with the Head of Goliath, after 1605/06
Looking at the Painting of Manet. “- Why the devil is this fat, red-faced woman in her nightdress called Olympia? - But my dear, perhaps that’s the name of the black cat,” plate 9 from Croquis Pris Au Salon par Daumier, 1865
Because She Was Susceptible, plate 32 from Los Caprichos, 1797/99
The Moors had settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open, plate three from The Art of Bullfighting, 1814/16, published 1816
Viola Surviving the Shipwreck off the Coast of Illyria, from “Twelfth Night”, c. 1776
Lime-Kiln, from Cabinet Reynst, 1655–59
Seven Cupids with Two Rams in a Landscape, 1475/85
The Girl at the Window, 1894
On the Test, c. 1859
Jacob’s Dream, n.d.
Two Maori Women Squatting Down, 1894/95, published Feb. 3, 1895
Seated Tahitian Women (related to the painting Nafea faa ipoipo [When Will You Marry?]) and Other Sketches, 1891/93
First Intermezzo of the Veglia of the“Liberation of Tyrsenus and Arnea”, 1617, published 1668

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