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J. Paul Getty Museum (147,238)
Library of Congress - Images (111,258)
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Study of a Standing Nude Youth, 1820
A Woman Clothed With the Sun, plate 6 of 12, 1899
The Judgment of Paris, 1555
The Flight Into Egypt, 1735/40
Venus and Satyr, 1592
Voltaire at a Satanic Revel, c. 1770
On Stage I, 1876
Still Life with Travelling Trunk, 1640s
Human Miseries, from the Volpini Suite, 1889
Interior view of the Pantheon, from Views of Rome, 1768, published 1800–07
Interior view of the Pantheon, from Views of Rome, 1768, published 1800–07
The Reapers, c. 1872
The Lie, plate one from Intimacies, 1897
Ulysses and Nausicaa, n.d.
Harpies Attacking Aeneas and His Companions, n.d.
Chapel and Pilgrim’s Hospice at Harambeltz (Basses-Pyrenees), 1866
A Picador is Unhorsed and Falls under the Bull, plate 26 from The Art of Bullfighting, 1814/16, published 1816
Bathers in a Forest, 1895/97
Self-Portrait, 1857
La Walse, from Le Bon Genre, n.d.
Fantasy Portrait, 1834
Saint George and the Dragon, n.d.
Octavian, Mark Antony, and Lepidus Dividing the Roman Empire, with Bologna in the Background, c. 1622
Science or The Love of Study, c. 1635
Turkeys, 1880
Auti te pape (Women at the River), from the Noa Noa Suite, 1893/94
A Woman Sewing, 1855
The Willow Song, plate nine from Othello, 1844
Meal for a Convalescent, 1862
Return of the Prodigal Son, 1536/40
What Courage!, plate seven from The Disasters of War, 1810/12, published 1863
The Woodcutters’ Repast, 1815
Religions and Religion, 1888
St. Martin, n.d.
Martin Luther, 1540
Happy Moment, n.d.
The Absinthe Drinker, n.d.
Young Woman at Rest, 1889
The Labors of Hercules: Hercules Capture of the Cretan Bull, c. 1528
Bengal Tiger, 1829
The Genius of Castiglione, 1645–47, published 1648
Is There Not an Invisible World, from The Juror, 1887
Noa noa (Fragrant), 1894/95
“Allow me to Examine the Young Lady—”, published February 18, 1860
Reclining Tahitian (fragment), 1894
Ravages of war, plate 30 from The Disasters of War, 1810/11, published 1863
Madonna and Child with Saints Elizabeth and John the Baptist, after 1606
The Falconer, 1797
Tahitian Eve (related to the painting Parau ne te varua ino) (recto); Fragment of Inscription (related to Cahier pour Aline) (verso), 1891/93
Study for Detail: Head of a Cherub, 1750/59
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