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J. Paul Getty Museum (147,238)
Library of Congress - Images (111,258)
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Diligence, from the Virtues, 1552
Maruru (Offerings of Gratitude), from the Noa Noa Suite, 1893/94
Study for Apotheosis of Hercules, c. 1746
Town and Castle of Hay, 1844
The Descent from the Cross by Torchlight, 1654
Self-Portrait Preparing an Etching, c. 1890
Old Man with a Divided Fur Cap, 1640
The Circumcision in the Stable, 1654
The Descent from the Cross: A Sketch, 1642
Net Menders, n.d.
Self-Portrait, 1630/33
Frans Snyders, 1630/33
Two Grotesque Figures, 1865/68
Study for the Duel between Heraclius and Khosrau (recto); Sketches of Seated Figure (verso), 1582
Girl with a Basket, c. 1642
Old Women of Arles, from the Volpini Suite, 1889, printed after 1911
The Circumcision in the Stable, 1654
Old Man with a Divided Fur Cap, 1640
The Descent from the Cross: A Sketch, 1642
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Bullfighters, n.d.
Portrait of Velasquez, n.d.
Armed Arab Leaning Against a Wall, n.d.
Portrait of Victor Hugo, Three-quarter View, 1884
St. John before God and the Elders, from The Apocalypse, c. 1496–98, published 1511
A Philosopher Shewing an Experiment on the Air Pump, 1769
The Gower Family, 1777
Shepherdess Leaning Against a Tree, 1857–60
Les-Parents-Terribles series: Don’t you think, father…, 1853
Butterfly, 1898/99
Saint Andrew, from The Martyrdom of the Apostles, c. 1512
View of Avignon (from Villeneuve les Avignon), 1823/69
An Artist Sketching in His Studio, 1771/1772
The Well, plate 13 from Imaginary Prisons, 1761
Frontispiece from Iwan Gilkin’s Tenebres (Darkness), 1892
La Traite des Blanches, 1899
Usury, 1851
Expulsion of Negroes and Abolitionists from Tremont Temple, Boston, Massachusetts on December 3, 1860, published December 15, 1860
The Old Bedford (recto); The Gallery of the Old Bedford (verso), c. 1894
Bastard Letters of the Alphabet, from Encyclopédie, 1760
Cap. Babeo - Cucuba, from Balli di Sfessania, c. 1622
Story of Niobe: Worshippers; Latona, n.d.
Judgement of Paris, 17th century
The Virgin, the Holy Women, and Saints John, James and Joseph of Arimathea, with Christ on the Way to Calvary, n.d.
Hercules Tamed By Love. This mischievous God in his triumphant ways subjects all, kings, shepherds, heroes and gays, Alcide interrupts his dreaded exploits and binds him while Omphale overjoys. (Gallant poetry by Monsieur Sauzet), plate 25 from Histoire Ancienne, 1842
Hermit in Landscape, c. 1866
Profile of Napoleon, c. 1810
Village Romance, c. 1652
Interior view of the Flavian Amphitheater, called the Colosseum, from Views of Rome, 1766
View of Piazza Navona above the ruins of the Circus of Domitian, from Views of Rome, 1750/59
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