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The Marriage of Punchinello’s Father, 1797/1804
Christ Among the Doctors, from The Life of the Virgin, c. 1503
Infant Hercules (recto); Standing Putto with Hand to Chin (verso), 1523/1540
Two Standing Female Figures (Studies after Classical Statuary), 1580/84
Ornamental Panel: Victoria Augusta, c. 1507
“- Baron, I have the honor of introducing you to Mr. Mérouel, one of our biggest bankers… - Baron, I have the honor of introducing you to Mr. Cascaret, one of our biggest shareholders,” plate 31 from Croquis D’été, 1858
Antique Ruins of an Amphitheater, 1650–55
The Housewife, 1857
Beggar with a Wooden Leg, c. 1630
The Triumph, plate two from Intimacies, 1898
The Triumph, plate two from Intimacies, 1898
Lamentation of Christ, from The Engraved Passion, 1507, published 1513
The Plumed Turban, 1901
Interior of a Tahitian Hut, from the Suite of Late Wood-Block Prints, 1898/99
The Knight and the Lady, c. 1495
Infant Hercules (recto); Standing Putto with Hand to Chin (verso), 1523/1540
Two Standing Female Figures (Studies after Classical Statuary), 1580/84
They Escape through the Flames, plate 41 from The Disasters of War, 1810/12, published 1863
May the cord break, plate 77 from The Disasters of War, 1815/20, published 1863
The Water Drinker, 1884
Chime of Thirteen Bells for Christ Church, Cambridge, Massachusetts, published May 26, 1860
Head, c. 1880
Three Beavers Building a Dam, c. 1800
Miss Etienne-Mona-Lisa-Cunégonde-Silly Goose of the Constitutionnel, indignate, choking and over-ornate at the performance of Anthony in which the mischievous Dumas had the indecency of scoffing at the noble family Silly Goose of the Constitutionnel…, plate 385, 1834
Rejoice, Carnival, for Tomorrow Thou wilt Be Ashes, plate 14 from Los Proverbios, 1815/24
Heavier than a dead donkey, plate one from Los Proverbios, 1815/24
A., B. View of the remains of the two rows of columns in the Temple of Neptune which originally formed the colonnades along the sides of the cella, and supported the uppermost part of the roof, from Different views of Paestum, 1778
The Flight into Egypt: Altered from Seghers, c. 1652
Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from L’estampe originale, 1893–94
Landscape with Cattle, 1866/1867
Three Putti with Shield and Helmet, c. 1505
The Château of Count Woronzoff, Aloupka, Crimea, August 12, 1837, 1840
Southwark Fair, 1733/34
The Russian Dance, 1769
Mocking of Christ, 1562
Landscape with a Fortress on a Hill, 1546
The Last Supper, from The Fall and Redemption of Man, 1513
The Savoyard and the Monkey, c. 1825
The Fugitive Slave, 1795
Tête à tête, 1894
Le Marquis de Puente-Fuerte, 1761–62
Cycle of Old and New Testament Images, Possibly Prefatory Cycle for a Psalter, c. 1250 (bound 2003)
The Agony in the Garden, from The Passion, c. 1480
Two Boxers Sparring, 1818
Boy with a Dog, c. 1822
Sleep Overcomes Them, plate 34 from Los Caprichos, 1797/99
Bitter to be Present, plate 13 from The Disasters of War, 1810/11, published 1863
Te atua (The God), from the Suite of Late Wood-Block Prints, 1898/99
A Winter Morning Shovelling Out, published January 14, 1871
The Submersion of Pharaoh’s Army in the Red Sea, c. 1515, printed 1549

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