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The Dream of Saint Joseph, 1635/37
The Nest Robber, 1780s
Marriage of the Virgin, c. 1575
Scipio Returning the Spanish Bride to Her Family, c. 1640
Asche, 1895
A Master of Ceremonies, n.d.
Exotic Flower (Woman in a Mantilla), 1868
The Isolated Fort, 1874
Autumn, 1848
Shepherd Playing a Flute, 1644/45
Mephistopheles and Faust Fleeing after the Duel, 1828
The Virgin and Child with a Rose, c. 1610
The Flagellation, plate 7 from the Life of the Virgin and Christ, c. 1470
Saint Paul Baptizing Dionysus the Areopagite (recto); Sketches of Baby, Hands (verso), n.d.
Woman with a Vase, 1894
Three Trombonists, plate twelve from The Large Wedding-Dancers, 1538
Sappho Listening to Love, n.d.
The Crucifixion with Four Angels, n.d.
Saint John the Baptist and San Bernardo degli Uberti, n.d.
Mounted Officer from the Back, c. 1810
Beatrice, c. 1892
Lady Buts, June 17, 1796
He deserved it, plate 29 from The Disasters of War, 1814/20, published 1863
Attitudes are Easy and Chaste, plate two from Love, 1898, published 1899
God creates them and they join up together, plate 18 from Los Proverbios, 1815/24
Binfield Rectory and Church, Berkshire, 1816
Lot and His Daughters, 1748
Sea-Side Sketches—A Clam Bake, published August 23, 1873
Flirting on the Sea-Shore and on the Meadow, published September 19, 1874
To Go Amongst the Branches, i.e. to talk through one’s hat, plate three from Los Proverbios, 1815/24
Merry Folly, from Disparates, published as plate 12 in Los Proverbios, 1816–19, published 1864
Resurrection, n.d.
Caricature of a Man, Full Length, Facing Front, n.d.
Bust of an Old Man with a Flowing Beard: The Head Bowed Forward: Left Shoulder Unshaded, 1630
Cambronne’s Word, 1861
Intimacy, 1889
Woman Delousing a Child, 1524/27
Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from the Noa Noa Suite, 1893/94
Beneath the Trees, 1871
After the Antique: Roman Officiant at a Sacrificial Altar, 1531/32
Road Scene, Heathersett, 1812
And His Name That Sat On Him Was Death, plate 3 of 12, 1899
Christ on the Globe, 1546
Sketches of a Wooded Site, Dogs and Pheasants in Landscape, 1813/14
Emilienne d’Alençon Rehearsing at the Folies-Bergère, from Le Café-Concert, 1893
Martyrdom of Saints Peter and Paul, n.d.
Feline pantomime, plate 73 from The Disasters of War, 1815/20, published 1863
Allegory, plate one from Love, 1898, published 1899
Portrait of François Claudius Ravachol, c. 1892–94
The Haystacks, 1887/89
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