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Portrait of the Critic Gustave Geffroy, by 1890
Hat and Guitar, frontispiece for the edition of fourteen etchings, 1874
View of an Italian Villa and Gardens (the Belvedere of the Vatican), 1765/66
The Old Tower at the Edge of a River, 1763
Death of Adonis, c. 1530
Parsifal, Act II: Evocation of Kundry, c. 1886
Martin Luther, c. 1525
Another view of the Temple of the Sibyl in Tivoli, from Views of Rome, 1761
The Waltz, 1891
Bacchus, n.d.
Read “La Revue Blanche” Transformed — Beyond Human Power, 1894
Youth, from The Four Ages of Man, n.d.
Nativity, 1504
Jan Six, 1647
St. George, n.d.
The Little Preacher, n.d.
Tinker with His Tools, 1874/76
And the Devil that had Deceived them was Cast into the Lake of Fire and Brimstone, Where the Beast and the False Prophet Are, plate 10 of 12, 1899
Odalisque, 1825
Misfortune, c. 1541
Minerva and Achilles, n.d.
In the Forest, 1851
The Annunciation, 1615–16
Mythological Pageant (recto); Illegible Inscriptions and Anatomical Studies of Head (verso), 1528/29
The Unicorn Purifying a Source, n.d.
Study for Distribution of Eagles, Prince Eugène de Beauharnais, c. 1810
Study of a Young Woman with a Watering Jug, n.d.
Standing Man, Pointing with Right Hand, n.d.
The Holy Family Leaving by a City Gate, plate seven from The Flight into Egypt, 1753
Study for Ceres, c. 1556
The Fall of Man, from Illustrations of the Bible, 1831
Portrait of Eduardo Zamaçois, Spanish Painter, n.d.
The Struggle Between the Devil and St Francis of Assisi for the Soul of Guido da Montefeltro, plate three from Darstellungen aus Dante’s Hölle, 1807/08
Portrait of Adrien-Maurice, Duke of Noailles, 1721; printed posthumously after 1780
The Last Days of Harvest, published December 6, 1873
Corner of the Meadow with Reeds and Other Plants, c. 1800
Hampton Court, plate six from Britannia Illustrata, published 1707
May Belfort, 1895
Christ Disputing with the Doctors: A Sketch, 1652
Nave nave fenua (Delightful Land), from the Noa Noa Suite, 1893–94
Fronte-boeuf and the Jew, from Ivanhoe, 1829
Your Mouth, 1893
Marcus Curtius Leaping into the Abyss, 1555/63
Ideal Bust of a Woman, n.d.
The Urchin, 1868–74
The Scissors-Grinder, 1741
Design for a Façade Decoration, c. 1548
A Double Scroll of Leaf Ornament with a Putto Standing at the Right, c. 1532
Heavenly Ganymede, 1804
Panel of Ornament with a Birdcage, c. 1507
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