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J. Paul Getty Museum (147,238)
Library of Congress - Images (111,258)
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A Girl Minding Geese, 1855–56
Where Can He Be?, c. 1848
Swallows, 1882
Remembrance of Italy, 1866
Martyrdom of Saint Peter, 1863
Le sourire: Journal méchant, Mar. 1900, 1900
Ecce Homo - The Presentation of Christ, from The Large Passion, c. 1498, printed c. 1675
Arab Watching the Body of his Friend, 1879
Summer, 1641
The Shepherdess, 1863
Thomas Haaringh (Old Haaringh), c. 1655
Saint Jerome in the Wilderness, c. 1511
And He Had in His Right Hand Seven Stars; and Out of His Mouth Went a Sharp Two-Edged Sword, plate 1 of 12, 1899
Le sourire: Journal méchant, Mar. 1900, 1900
The Black Dog, n.d.
Edward, Lord Thurlow, 1782
Landscape with Gate at Sunset, n.d.
Letter M, 1630
Saint Anthony Appearing to a Sick Man, n.d.
Cows Drinking, 1866
The Equestrian Monument, from Vedute, 1735/44
Smoker Leaning on the Back of a Chair, c. 1652
Fear, 1866
The Sergeant Reporter, 1862
The Shadow of Death, 1878
The Raising of Lazarus, c. 1649
The Exhibition of the Royal Academy of Painting in the Year 1771, published May 20, 1772
The Tribute Money, c. 1634
Yvette Guilbert, 1894
The Avenue, 1899
The Adoration of the Magi (Virgin of the Grotto), c. 1500
The Monstrous Sow of Landser, 1496
Mary, Supported by Two Angels, Follows Joseph, plate 26 from The Flight into Egypt, 1753
Nude Study, 1884
Unfinished Letter with Studies for the Ugolino Group, 1858
Madame Eugène Carrière, 1893
Dirck Volckertsz. Coornhert (1522-1590), Author, Secretary of the City of Haarlem, Printmaker, Goltzius’s Teacher, 1591
Standing Draped Female Figure Carrying Trumpet, Flowers, n.d.
Impressions From the Vintage. “- What! You are treading bare-foot? - So what… you wouldn’t want us to do it in our dancing shoes!,” plate 2 from Croquis D’automne, 1856
The Menu, c. 1870
Triton Ridden by a Child, plate one of Twelve Ornament Panels, c. 1505–20
Louise Émilie, Baroness of ***, 1779
View of the Arch of Titus, from Vedute di Roma (Views of Rome), 1750/59
Miss Julia MacDonald, 1830/31
Frans Francken, 1630/33
Sketches of Arms, Male Torso, and Back, n.d.
Geogaphic Scarves. “Look Dodolphe, this is really the last sacrifice I’ll do for your education… if you still don’t get your geography right, it means you are completely clogged up… this time I’ll stick your nose into it. To start with, you’ll just need to make sure during the first day to only blow your nose in Normandy…. I’ll slap you in the face if you blow your nose in the Channel!,” plate 89 from Actualités, 1842
Emaciated Horse (recto); Frontal View of a Horse (verso), n.d.
The Descent from the Cross, from The Fall and Redemption of Man, 1513
Mars and Venus (recto and verso), 1648/79
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