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Christ Taken Captive, c. 1480
Jan Cornelius Sylvius, 1633
Aeneas, Venus, and Achates, n.d.
A men pulling a net, with two figures behind him, from Figurine series, n.d.
Cycle Michael, 1896
The Chase, 1903
Virgin and Child Seated on Clouds, n.d.
Head of a Bearded Man, 1700/1799
The Terrace of the Villa Brancas, 1876
Walton, 1823
A Mill Lock in the Middle of Willows, plate 97 from Figures de différents caractères, de Paysages, et d’Etudes dessinées d’après nature (Figures of Different Characters, Landscapes, and Studies Drawn from Nature), 1726
The Peasant Attacked by Bees, from The Caprices, c. 1622
Landscape with Pan Playing a Flute, 1795
Chinese Botanist, from Recueil de diverses figures chinoise du cabinet de François Boucher, 1738/45
Gypsy Life, 1840
The Arrival of Jean-Jacques Rousseau to the Champs-Élysées, 1780
Christ Before Caiaphas, plate four from The Passion of Christ, 1597
Woman Sealing a Letter, 1738
Orkan Kahn, from Portraits of the Emperors of Turkey, 1815
Judith Preparing Herself to Leave for the Enemies’ Camp, plate four from The Story of Judith and Holofernes, 1564
Seated Woman Reading, 1905
Saint John, from The Martyrdom of the Apostles, c. 1512
Saint Dominic in a Historiated Initial “G” from an Antiphonary, 1310/15
The Prodigal Son with the Swine, plate three from The History of the Prodigal Son, n.d.
Black Lion Wharf, from A Series of Sixteen Etchings of Scenes on the Thames (the “Thames Set”), 1859, published 1871
The Gleaners, 1855–56
Crying Woman: Study of a Seated Woman in Right Profile, 1899
St. Jerome, n.d.
Grand Ball of Calaveras, 1906
Fronte-boeuf and the Witch, from Ivanhoe, 1829
Leaving the Theater, 1896
Landscape, 1870/75
Plate Seven, from A Rake’s Progress, June 1735
The Abduction of Helen, n.d.
Venus and Adonis, n.d.
The Dandy Dressing; The Dandy Dressed, 1815/25
The Adoration of the Magi, from The Life of Christ, 1470/75
St. Paul’s Choir, 1658
The Annunciation to Joachim, from The Fall and Redemption of Man, 1513
The Circumcision, from The Fall and Redemption of Man, 1513
Christ among the Doctors, from The Fall and Redemption of Man, 1513
The Adoration of the Magi, about 1530
Small Street on the Outskirts of Florence with Puppy, 1870–75
Landscape with Cottages and a Hay Barn: Oblong, 1641
Unexpected Call, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, 1774
The Superb Lily, from The Temple of Flora, 1799
Swamp Plants, n.d.
Entrance to the Suburb of Saint-Marceau, Paris, 1850
The Literary Life, n.d.
“- Eh! my Didine, have we danced enough? - Oh, don’t mention it any more, I am completely worn out - Then take off your stockings and get to bed! - Good grief, no.. really, I’m just too tired!,” plate 56 from Moeurs Conjugales, 1842

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