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Studies for the Oath of the Tennis Court, 1789/91
Group of Women, n.d.
Letter O, 1630
Until Death, plate 55 from Los Caprichos, 1797/99
Portrait Medallion of Goethe, title page from Faust, 1828
Bust of Turbanned Man with a Book, n.d.
Antonius Tempesta, 1623
Rebecca of the Desert, n.d.
Flavian ampitheater, called the Colosseum. 1. Arch of Constantine. 2. Palatine Hill, plate 12 from Some Views of Triumphal Arches and other Monuments, 1748
View of Douai, 1667–70
A Parisian Ball—Dancing at the Casino, published November 23, 1867
Card for the Gurlitt Exhibition: Imagination and the Child Artist, 1881
Suffer!, plate fourteen from A Life, 1884
The Ascension, 1460–65
Rest on the Flight into Egypt, n.d.
Seesaw—Gloucester, Massachusetts, published September 12, 1874
Plate Two from Evenings in Rome, 1763/64
Dead Hare, 1649
View of the Temple of Antoninus and Faustina in the Roman Forum, from Views of Rome, 1750/59
The Vigilant Man, 1816
Nathalie Madoré, 1895
Réjane and Galipaux, in Madame Sans-Gêne, 1893
Trajan’s Column, from Views of Rome, 1750/59
The Little Brewery, 1890
Study of a Woman, 1893
La Pompe Notre-Dame, Paris, 1852
The Famous Gargantua, late 18th or early 19th century
Birth of Venus, n.d.
Battle before Troy, n.d.
Landscape with a Farmhouse, from Four Small Landscapes, 1597/1600
Omega’s Flight, 1908/09
Alpha’s Progeny, 1908/09
The Enchanted House, 1871
Tiger Resting in the Desert, 1846
A View of Michigan Avenue from Randolph Street in the Year 1865, published March 1926
Brandès and Leloir, in Les Cabotins, 1894
Billingsgate, 1859
La Robe Rouge, 1894, printed 1895
Lot and His Daughters, 1569
The Sphinx: “…my gaze that nothing can deflect, passing through objects, remains fixed on an inaccessible horizon.” The Chimera: “As for me, I am light and joyful,” plate 5 from To Gustave Flaubert, 1889
The Adoration of the Shepherds: With the Lamp, c. 1654
Kneeling Figure from the Back (recto); Three Half-length Studies of Veiled Female Figure (verso), 1595/1600
Sheet of Sketches: Beheading of a Saint (recto); Several Slight Figure Sketches (verso), 1605/44
Sketches of Park Views, Heads, a Horse, 1813/14
Sketch of the Portrait of Constance Pipelet (recto); Head of a Woman (verso), after 1797
Sketches of Figures, 1540/60
Battle Scene, n.d.
Portrait of Louis de la Vergne de Tressan, Count of Lyon, Archbishop of Rouen, c. 1728
L’Abaye St. Amand, Rouen, 1839
Fish Market, Antwerp and Hospice des Vieillards, Cand, from Picturesque Architecture in Paris, Ghent, Antwerp, Touen, etc., 1839
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