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J. Paul Getty Museum (147,238)
Library of Congress - Images (111,258)
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A Farm Cottage, 1766
Horses Running Free, from The Caprices, c. 1622
Neither do these, plate ten from The Disasters of War, 1810/15, published 1863
It will be the same, plate 21 from The Disasters of War, 1810/12, published 1863
Campaign Sketches: The Baggage Train, 1863
Masked Comedian Playing the Guitar, from Varie Figure Gobbi, 1616
The Little Monument, from Vedute, 1735/44
The Dinner Horn, published June 11, 1870
The Proposition, plate six from A Life, 1884
Design: Camera Obscura, from Encyclopédie, 1762/77
Masked Comedian Playing the Guitar, from Varie Figure Gobbi, 1616
A Boat Maneuver, plate nine from Les Canotiers Parisiens, 1843
A Portrait of a Woman, 1650
The Two Bathers, 1895
John Bull Humbugg’d Alias both Ear’d, published May 12, 1794
The Good-Luck Branch, 1907
Pantalone, from Three Italian Comedians, 1618–20
Obsession, 1894
Intelligence was Mine! I Became the Buddha, plate 12 of 24, 1896
Sketches of a Mounted Chasseru and a Cavalry Officer with Drawn Saber, 1813/14
Study of Figure Group, with Detail of Grenadier’s Head, 1818
Jacob Wrestling with the Angel, n.d.
Strasbourg Cathedral, 1645
A Woman, a Child, and Figures around a Pedestal, n.d.
Very Terrible Example!, 1910
Seated Man in Profile, 1869
View of Prizes Taken by Lord Howe Coming in Portsmouth, July 1794
The Comedians, n.d.
For You General!, n.d.
The Trinity (The See of Grace), 1511
Musique en Famille, 1905
The Musician, 1877
Cover for La Tribu d’Isidore, 1897
Scene from Faust: Auerbach’s Cellar, n.d.
Maja von Heijne, 1900
Study for Vignette in Jean François Marmontel’s “Contes Moraux”, c. 1765
Sleeping Christ Child Holding Cross, n.d.
Christ as Salvator Mundi with Lamb, n.d.
Triumphs of Julius Caesar: Canvas No. I, n.d.
The Two Doorways, 1879/80
Anne Catharine Mouy, Countess of Broglia, as the Goddess Diana, n.d.
Dramatic and Grandiose with Her Face like that of a Druid Priestess, 1887
The Sphinx: “…my gaze that nothing can deflect, passing through objects, remains fixed on an inaccessible horizon.” The Chimera: “As for me, I am light and joyful,” plate 5 from To Gustave Flaubert, 1889
Frontispiece for Le mouvement idéaliste en peinture (The Idealist Movement in Painting) by André Mellerio, 1896
Grazing Horse, plate three from Series of Horses, 1651
Yvette Guilbert, in Colombine à Pierrot, 1894
Portrait of Guillaume de Brisacier, 1664
An Artist Adoring a Statue of Virtue, 1783
A Father and his Family, 1844
Pastoral Life of Saint Geneviève (left panel), c. 1888
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