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The Virgin and Child Enthroned with Saint Anne, 1512/13
Sheet of Seven Antique Medals, 1825
Pilate Washing his Hands, from The Engraved Passion, 1512, published 1513
The Triumph of Eternity, plate six from The Triumphs of Petrarch, c. 1539
Saint Bartholomew and Saint Philip from The Twelve Apostles, 1480–85
Open air exhibition of provincials coming to Paris to see the palace of industry, plate 31 from L’Exposition Universelle, 1855
Menu for a Dinner given by May Belfort, 1896
Coach Drawn by Four Galloping Horses, 1818/19
Sketches of a Cavalry Battle and Studies of a Draught Horse, 1813/14
Yellow House, Lannion, 1893
Yellow House, Lannion, 1893
Interior of a Port, plate five from Six Marines, 1833
Bouquet with Peonies, from Collection of Different Bouquets of Flowers, Invented and Drawn by Jean Pillement and Engraved by P. C. Canot, published July 4, 1760
Why Hide Them?, plate 30 from Los Caprichos, 1797/99
The Picnic Excursion, published August 14, 1869
Landscape with Tower and Two Ruined Pillars, from Vedute, 1735/44
Arch of Septimius Severus. 1. Temple of Concord. 2. Ascent to the Capitoline Hill, plate 13 from Some Views of Triumphal Arches and other Monuments, 1748
La Sainte Chapelle, Paris, 1839
Pilgrim in the Woods, 1825
July, from Twelve Months of Flowers, n.d.
Letter I, 1630
Letter P, 1630
Horses’ Rest, c. 1885
A Skirmish Between the Cavalry Officers and Footsoldiers with Bayonets, 1781
Saint Luke, 1763/64
A Window Seen Through a Window, 1897
The Vision of the Seven Candlesticks, from The Apocalypse, c. 1496–98, published 1511
Islee, Princess of Tripoli (Ilsée, Princesse de Tripoli), 1897
A Fair Reward Presented in 1800 by the Un-Prudish Savages of North America to Louis-Philippe of Orléans, surgeon and expatriate, but still a Frenchman. (I salute you, gracious Black Lady, the Lord is with you.) A Namaquan Ave Maria, plate 466, 1835
Study for King David, with Harp and Psalm Book, after 1621
The Annunciation in a Historiated Initial “M” from an Antiphonary, 15th century
Self-Portrait, c. 1835
The Diplomat and the Anthill, Illustration for Fables and Tales by Hippolyte de Thierry-Faletans, 1868
Emperor Leopold I, c. 1659
Woman Lighting a Rocket, also called Peace Gets Me Going, from Communia Gaudia (The Wide-Spread Rejoicing at the Siege of Namur), 1695
Nocturne, 1878
Samson and the Lion (recto); Virgin Mary with Right Arm Extended (verso), n.d.
Profile of a Woman, 1802
Wooded Walk with Figure, n.d.
The Singers, c. 1668
The Embroiderer. An example of the errors, nature sometimes makes in labeling the sexes. Just as one sees the would-be women who wear pants, some kind of a moustache, who play a cornet or the bass-viol, or who compose humanitarian novels, in the same way one finds men who play the harp, hemstitch neckerchiefs, do embroidering with their hands, and, who in a case of emergency know how to do a little cooking, plate 2 from Monomanes, 1840
The Carpenter, c. 1635
Gunnar Heiberg, 1896, printed after 1906
The Grand Duke Fortifies the Port of Livorno, from Life of Ferdinando I de’ Medici, 1616/20
Standing Christ (Study for a Baptism), n.d.
Frontispiece to Margot, la ravaudeuse, 1868
Dress Completed, plate three of Progress of the Toilet, published February 26, 1810
Return of the Flock, 1862
O Nature!, January 1880
“- If you only knew how pretty you are!… Pretend you are playing! - stop it.. DO - You don’t love me!…SO - I’ll’ always be yours. … MI,” plate 6 from Les Musiciens De Paris, 1841

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