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Prudence, plate 35 from Genii and Virtues, c. 1465
And There Fell a Great Star From Heaven, Burning as it Were a Lamp, plate 5 of 12, 1899
Bust of a Man with a Jabot, c. 1810
Sheet of Caricatures, 1818/19
Draught Horse, 1818/19
Balcony, Amsterdam, 1889
Two Putti with a Bird, n.d.
Study for the Adoration of the Magi, 1612
Edward, Prince of Wales, June 1, 1797
The Cid Campeador spearing another bull, plate eleven from The Art of Bullfighting, 1814/16, published 1816
Portrait of Nicolas Boileau Despréaux, 1710
The Expulsion, from Illustrations of the Bible, 1831
Horses Going to a Fair, plate 3 from Various Subjects Drawn from Life on Stone, 1821
Is Not This Only Another Form of “Monopoly”?, from Puck, 1886
Woman Resting Her Head on a Book, 1770
A Night Reconnaissance, published October 26, 1861
Head of a Young Girl (Compiler’s Title), c. 1886
Defeat of Wittekind near Bürberg, 1835
Tomb with Sphinxes and an Owl, 1779–84
Nimbed Saint in a Historiated Initial “I” from an Antiphonary, 1310/15
The Lonely Tower, 1871
Woman Feeding Her Child, 1861
Woman Emptying a Pail, 1862–63
A Neighborhood Dispute, 1907
St. Matthew, plate 8 from The Twelve Apostles, 1545
Jason and Medea, n.d.
Standing Negress, 1901
Miss Lurman, 1901
Nanette, 1903
Mountainous Country, c. 1640
Thatched Hut among Trees and Rocks, n.d.
The Corpus Christi Procession, Nantes, 1901
A Present for an Artist. The Chinese adore music, but they are also passionately fond of musicians. Their infatuation of this attitude is carried to extremes which are not easily understood in our civilized regions. Thus it is quite normal to see Chinese harnessed like horses to a cab and drive their idol around town. An when a pianist has improvised variations more or less brilliant of the “air of moonlight”, “Ah!… you will say… Mama” or “King Dagobert”, they find nothing better to bestow on him than a sword of honour which is accepted with a coolness equally laughable, plate 23 from Voyage En Chine, 1844
Ancient Portrait Bust of Vespasian, n.d.
The Parisians don’t quite trust the assurances of Monsieur Babinet and insist on lying in wait for the comet, plate 394 from Actualités, May 1, 1857
Breathing a Vein, published January 28, 1804
Tavern Scene, n.d.
Path Through the Wheatfield, 1862
The Hydraulic Machine, 1862
Two Men on a Mountain Top, n.d.
The Flagellation, from The Fall and Redemption of Man, 1513
The Flight into Egypt, from The Fall and Redemption of Man, 1513
Frontispiece, from Solimano, published 1620
Title Page: Collection of several drawings engraved after Barbieri da Cento (known as Guercino) engraved on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi, 1764
The Auction House: The Auctioneer, 1864, printed 1920
The Spectators, c. 1860–64
Meditation, c. 1865
Portrait of Charles Meryon Sitting Up in Bed, 1858
Le Chemin de Coutures, à Sèvres, 1871
An Umbrella in a Difficult Position, plate 119 from Actualités, November 25, 1859

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