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Head of a Man, n.d.
Ruins of the Xystus [a long open portico used for athletic exercises], the central hall of the Antonine Baths [The Baths of Caracalla], from Views of Rome, 1765
Copy of Detail: Female Allegorical Figures and Putti Bearing Papal Keys, n.d.
Landscape along a River, n.d.
Saint Augustine, c. 1560
Inverary Pier, plate 35 from Liber Studiorum, published June 1, 1811
Self-Portrait, after 1674
“- Brrrr! I am furious that I came here to hunt in the St. Denis-Plain. It’s just too cold!… - One of those days when you would love to catch a bear. His fur would be more than welcome right now!,” plate 3 from Croquis De Chasse, 1858
Orpheus on the River Styx, n.d.
The British Butcher, Supplying John Bull with a Substitute for Bread, published July 6, 1795
Veranda, 1902
Joachim’s Offering Refused, from The Fall and Redemption of Man, 1513
Presentation of the Virgin, from The Fall and Redemption of Man, 1513
Les anglais chez eux: Le gin, 1853
The Annunciation, from The Life of the Virgin, c. 1503
At Least be Discreet, 1789
Lender Dancing the Bolero in Chilpéric, 1895
The Suffering, 1909
Invitation to an Exhibition, 1898
Owake! what ho! Brabantio! thieves! thieves!, plate one from Othello, 1844
“- How do you know that I am a widower? After twenty years of forced labour, not marriage, I am slowly starting to pull myself together again, and there you are, proposing me a second marriage! Ragoulet, would you please stop holding my hand!,” plate 10 from Vulgarités, 1841
Believe Me Faithful (valentine), n.d.
Returning from the Hunt, from Various Scenes Designed in Florence, 1618–20
Garden View, c. 1880
Reclining Male Nude, from Behind, c. 1591
Literary Illustration: Medieval Lady with Page (recto); Sketches of Figures (verso), n.d.
Seated Angel, n.d.
Assumption of the Virgin (recto); Sketches of Architectural Details (verso), n.d.
Fisherman with Net, n.d.
The Nocturnal Review, 1836, published 1837
Yeux clos, 1890
Sketch of Farm Implement, 1818/19
The Flagellation, from The Large Passion, c. 1496–97, published 1511
View of the Stone Bridge from the Kremlin, 1833
Frontispiece to Les baisers morts, 1893
Christ’s Face is Wiped by St. Veronica, plate six from Stations of the Cross, c. 1748, published 1749
Christ Falls Beneath the Cross for the Third Time, plate nine from Stations of the Cross, c. 1748, published 1749
Picturesque Architecture in Paris, Ghent, Antwerp, Touen, etc., 1839
A Boy Sitting on a Banked Vessel, November 8, 1809
The House with the Inscription and The House with the Peristyle, from Vedute, 1735/44
Fable V, plate five from Lehrreiche Fabeln aus dem Reiche der Theire, 1743
Duke of Olivares, 1904
Copperplate Engraving, from Encyclopédie, 1762/77
Cutting a Figure, published February 4, 1871
Et que des yeux sans tete flottaient comme des mollusques, plate XIII of Tentation de St. Antoine, 1896
Green River, Wyoming Territory, 1886
Rocca di Mezzo, 1832
Bearded Man, n.d.
The Nurse, from Cahier de six eaux-fortes, vues de Hollande, 1862
The Death of the Vagabond, 1855–77

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