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Black Lion Wharf, 1859
Princess Maleine (The Little Madonna), 1892
If On a Close Dark Night a Good Christian, Out of Charity, Behind Some Old Ruin, Buries Your Arched Body, plate 4 of 9, 1890
He [The Narrator’s Dog] Kept His Eyes Fixed on Me With a Look So Strange, plate 3 of 6, 1896
Reflection of Kneeling Female Figure, study for The Mirror of Venus, c. 1873–77
Draped Head, Eyes Looking Toward Right, c. 1873–77
The Virgin Mary Presented at the Temple, from The Life of the Virgin, n.d.
A Fair Reward to Dutiful Voters, plate 404, 1834
Program for the Gémier Benefit, 1897
Lear Casting out his Daughter Cordelia, 1792
Plate Six, from Book of Ornament, 1704
Chickens in Their Roost, 1864–1866
Return to Port, plate two from Six Marines, 1833
The Unlucky Death of Pepe Illo in the Ring at Madrid, plate 33 from The Art of Bullfighting, 1814/16, published 1816
She Fleeces him, plate 35 from Los Caprichos, 1797/99
View Taken from the Pools of the Presnia, 1833
Folio Nineteen from Burchard of Sion’s De locis ac mirabilibus mundi, or an Illuminated Geography, c. 1460
Illuminated Initial “G” from a Bible Historiale, 15th century
Leaf from Habiti antichi e moderni, plate 93 from Woodcuts from Books of the XVI Century, 1598, assembled into portfolio 1937
Lear Casting out his Daughter Cordelia, 1792
Ben Ledi, 1911
The Arch of Constantine, 1654
There is Something Beneath the Sackcloth, i.e. you can’t judge a man by his clothes, plate eight from Los Proverbios, 1815/24
Night, plate four from The Four Times of Day, May 1738
The Violin Player, from Varie Figure Gobbi, 1616
The Library, from Vedute, 1735/44
The House with the Peristyle, from Vedute, 1735/44
Our Next President, published October 31, 1868
“- I am glad that we are not scientists, otherwise Monsieur would also invite us to taste this camel hump he ordered from Algeria… I’d rather enjoy a meal of veal hump!,” plate 8 from La Sopciété D’acclimatation, 1858
“- Coachman, are you booked? - No, citizen. - Well then: ‘you’d rather accept being advised than hired out?,’” plate 49 from Émotions Parisiennes, 1842
Day, plate 6 from Dreams, 1891
Plate Three, from Marriage à la Mode, 1746
You understand? … well, as I say… eh! Look out! otherwise…, plate 76, from Los Caprichos, 1797/99
Temple of Augustus, n.d.
Portrait of the Artist, 1846
Louis II de Bourbon, Prince de Condé, 1662
The Gargoyles, Stirling Castle, 1898
Woman Feeding Her Child, 1861
Before the Invasion, September 1915
Ruins of the Château of Crémieux (Isère), 1850
The Rhinegold: Scene I, The Rhinemaidens, 1886
Design for an Arch, n.d.
La milagrosa imagen del Señor del Rescate (The Miraculous Image of Our Savior), 1903
Last argument, February 1891
Lent, February 1894
View of the Piazza del Popolo, from Views of Rome, 1750/59
Horse Shoes, from The Games of the Urchins of Paris, 1770
Portrait of François-Paul de Neufville de Villeroy, c. 1731
Triumphs of Julius Caesar: Canvas No. VII, 18th century
Seated Saint John the Baptist, c. 1600

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