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Tate Modern (44,742)
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Dudley: ?A Quarry, Probably on Wren’s Nest Hill
Dudley: A Quarry and Buildings, Probably on Wren’s Nest Hill
Ducal Palace and Riva degli Schiavone from Molo
Dover: The Inner Harbour; a Ship with Sails Set
Dover from the West
?Dover Castle and Cliffs
Doune Castle on the River Teith, from the North West
Distant Walls and Towers (?A Harbour)
Distant View
Distant View of Verdun
Distant view of Treport
Distant View of Scarborough from the North-West
Distant View of Rome from San Paolo fuori le mura
Distant View of Mont Cenis; and the Alps on the Approach to Termignon
Distant View of Edinburgh Castle, Seen through Trees
Distant View of Brussels from the North
Distant View of Brighton [Turner]
Distant View of a Port, Probably Ostend
Distant Towers, Etc. Rotterdam [Turner]
Distant Mountains, Perhaps in the Lake District
Distant Mountains North-East of Rome; and a Study of a Stone Pine
Distant Hills, Probably near Verona
Distant Hills in the Marche
Dinant, Looking Downstream from the Western River Bank South of the Town
Dijon: Cathedral of St Benigne, and the Spire of the Church of St Philibert, from a Corner of the City Walls to the North
Detail of a Moulding at St Albans Abbey
Design for Roof Lights in a Picture Gallery
Design for a Tower on a Bridge
‘Dalkeith’
Cruachan Arain and Ben A’an, with Ben More from near Tyndrum
Crowds of Figures, View of a Castle, Etc.
Crook of Lune, Looking North, Bridge in the Foreground
Craignethan Castle, Lanarkshire from below to the South-East, and Nethan Gorge
Courmayeur, Towards Mont Blanc and the Aiguille du Géant
Cotentin Peninsula, Normandy
Cotentin Peninsula, Normandy
Cotentin Peninsula, Normandy
Cotentin Peninsula, Normandy
Cotentin Peninsula, Normandy
Cotentin Peninsula, Normandy
Cotentin Peninsula, Normandy
Cotentin Peninsula, Normandy
Cotentin Peninsula, Normandy
Cotentin Peninsula, Normandy
Cotentin Peninsula, Normandy
Cotentin Peninsula, Normandy
Coteaux de Mauves; Château de Clermont, Loire Valley
Continuation of Kelso from Springwood Park
Commentary on Titian’s ‘Entombment of the Dead Christ’ (Inscription by Turner)
Colour Key, probably of Guercino’s ‘Raising of Lazarus’ (Inscriptions by Turner)
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