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Shakespeare and his Contemporaries
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
Miss Wallis in the Character of Juliet
"Hubert, let me not be bound!"
"Then go, bid the huntsmen wake them with their horns"
"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
"Mark your divorce young sir, whom son I dare not call"
"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
Shakespear Chair
"Sommernachtstraum": Theatre-figuren
"Macbeth": Theatre-Figuren
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
Miss O'Neill as Juliet - "Romeo and Juliet", Act II, Scene II
Portrait of Talma
Shakespeare's Seven Ages
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
"Romeo And Juliet", Act I, Scene V
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
Desdemona and Othello
Falstaff in the Buck-Basket - "The Merry Wives of Windsor", Act III, Scene III
Theatre Royal Italian, Cabinet, dans l'Opera "Anna Bolena" par Mr. Ferri
Inside View of the Theatre Royal, Drury Lane
Or blasting winds o'er blossom'd hedge-rows pass
Garrick in the Character of Richard, third
Falstaff - "Henry IV", Part II, Act V, Scene IV
Richard II - "Richard II", Act III, Scene II
Hamlet, The Play Scene - "Hamlet", Act III, Scene II
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
William Henry West Betty
G.F. Cooke, Esquire, in the Character of Iago
The Infant Shakespeare
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
Macbeth as Performed at National Theatre
Continuation of the Procession of Shakespeare's Characters
The Procession at the Jubilee at Stratford upon Avon
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
Lord Cochrane K.B
Speculum Romanae Magnificentiae
Speculum Romanae Magnificentiae
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
Pospero Disarming Ferdinand from The Tempest, Act I, Scene II
Macbeth and the Murderers - "Macbeth," Act III, Scene I
Dick the Butcher and Smith the Weaver seizing the Clerk - "Henry VI," Part II, Act I, Scene II
William Shakespeare - He was not for an age but for all time
Falstaff at Justice Shallow's Mustering his Recruits - "Henry IV," Part II, Act III, Scene III
Costume Hamlet
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
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