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Study for ‘Windsor Castle from the Thames’
Source: Tate Modern
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Publication Date: 1805
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Study for ‘The Chapel of William Tell’, Rogers’s ‘Italy’
Source: Tate Modern
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Publication Date: c.1826–7
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St David’s: The Entrance to the Great Hall of the Bishop’s Palace
Source: Tate Modern
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Publication Date: c.1795
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Shipping off the Riva degli Schiavoni, Venice, near the Ponte dell’Arsenale, with San Giorgio Maggiore, Santa Maria della Salute and the Campanile of San Marco (St Mark’s) Beyond
Source: Tate Modern
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Publication Date: 1840
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?Rye or the Coast near Dunstanbrough Castle
Source: Tate Modern
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Publication Date: c.1825–30
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Rouen, engraved by R. Brandard
Source: Tate Modern
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Publication Date: published 1834
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Quilleboeuf, engraved by R. Brandard
Source: Tate Modern
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Publication Date: published 1834
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Poole Harbour from East Hill, Corfe
Source: Tate Modern
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Publication Date: 1811
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Peak District Views near Buxton, Including Ashwood Dale and Lovers’ Leap
Source: Tate Modern
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Publication Date: ?1831
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Lincoln: The Cathedral Seen over Houses, from the South West
Source: Tate Modern
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Publication Date: 1794
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Lecture Diagram: ‘Euclid’s Elements of Geometry’, Book 11, Propositions 1 and 3
Source: Tate Modern
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Publication Date: c.1817–28
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Lecture Diagram 27: Perspective Method for a Cube (after Jean Pélerin)
Source: Tate Modern
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Publication Date: c.1810
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Lecture Diagram 26: Interior of the Great Room at Somerset House, London
Source: Tate Modern
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Publication Date: c.1810
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Land’s End, Cornwall, engraved by G. Cooke
Source: Tate Modern
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Publication Date: published 1814
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Keswick Lake, for Rogers’s ‘Poems’
Source: Tate Modern
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Publication Date: c.1830–2
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