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The Via Appia Antica, Rome: the Circus of Maxentius; and Two Views Approaching the Tomb of Cecilia Metella
Source: Tate Modern
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Publication Date: 1819
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The River Esk, and Johnny Armstrong’s Tower
Source: Tate Modern
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Publication Date: 1831
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The River Aniene with the Ponte Salario and Torre Salaria, Rome
Source: Tate Modern
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Publication Date: 1819
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The Rio di San Luca, Venice, with the Church of San Luca and the Back of the Palazzo Grimani
Source: Tate Modern
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Publication Date: 1840
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The Punta della Dogana from the Entrance to the Grand Canal, Venice, with San Giorgio Maggiore across the Bacino Beyond
Source: Tate Modern
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Publication Date: ?1840
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The Prince of Orange Landing at Torbay, engraved by W. Miller
Source: Tate Modern
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Publication Date: published 1859–61
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The Piazzetta, Venice, from the Piazza San Marco (St Mark’s Square), at Night, with the Campanile and Palazzo Ducale (Doge’s Palace)
Source: Tate Modern
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Publication Date: 1840
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The Pass of the Splügen: Sample Study
Source: Tate Modern
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Publication Date: c.1841–2
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The Parting of Hero and Leander, engraved by S. Bradshaw
Source: Tate Modern
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Publication Date: published 1859–61
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The Cathedral and Entrance to the Bookseller’s Court at Rouen, Normandy
Source: Tate Modern
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Publication Date: c.1832
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The Campanili of Santo Stefano, San Moisè and San Marco (St Mark’s), Venice, from the Hotel Europa (Palazzo Giustinian)
Source: Tate Modern
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Publication Date: 1840
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Sunlight and Figures in the White Library
Source: Tate Modern
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Publication Date: 1827
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Study of Female Nude and Hogarth’s ‘Line of Grace’
Source: Tate Modern
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Publication Date: c.1830–1
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Study for ‘The Battle of Trafalgar, as Seen from the Mizen Starboard Shrouds of the Victory’
Source: Tate Modern
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Publication Date: 1805
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