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Continuation of a Sketch of Queensferry; and Inscriptions by Turner
Source: Tate Modern
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Publication Date: 1831
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Compositional, Colour and Underpainting Study for ‘Plymouth’
Source: Tate Modern
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Publication Date: c.1825
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Composition Study for ‘Venus and Adonis’
Source: Tate Modern
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Publication Date: c.1802–5
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Commentary on Peter Paul Rubens’s ‘Landscape with a Rainbow’ (Inscription by Turner)
Source: Tate Modern
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Publication Date: 1802
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Coblenz, with Bridge of Boats over the Rhine
Source: Tate Modern
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Publication Date: after c.1830
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Cliffs on the Coast, Possibly near Folkestone or in Cornwall
Source: Tate Modern
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Publication Date: c.1830–5
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Chester, engraved by Walker
Source: Tate Modern
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Publication Date: published 1796
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Camp Hill, Hastings, engraved by Edward Goodall
Source: Tate Modern
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Publication Date: c.1836
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Cader Idris: A Stream among Rocks near the Summit
Source: Tate Modern
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Publication Date: 1798
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Browsholme, engraved by Basire
Source: Tate Modern
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Publication Date: published 1800
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Bligh Sand, engraved by R. Brandard
Source: Tate Modern
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Publication Date: published 1859–61
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