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Lecture Diagram 73+: Entablature
Source: Tate Modern
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Publication Date: c.1810
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Lecture Diagram 70: A Ruined Amphitheatre
Source: Tate Modern
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Publication Date: c.1810
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Lecture Diagram 4: Top of Trajan’s Column, Rome
Source: Tate Modern
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Publication Date: c.1810
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Lecture Diagram 29: Perspective Method for a Cube (after Guidobaldo del Monte)
Source: Tate Modern
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Publication Date: c.1810
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Lecture Diagram 23: Geometry of a Parabola (after William Emerson or John Hamilton)
Source: Tate Modern
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Publication Date: c.1810
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Lecture Diagram 20: Conic Sections (after Thomas Malton Senior)
Source: Tate Modern
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Publication Date: c.1810
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Land’s End: Longships Lighthouse from Carn Greeb
Source: Tate Modern
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Publication Date: 1811
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Kirkstall Abbey: The Interior of the Ruined Crossing, Seen from the Nave
Source: Tate Modern
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Publication Date: 1797
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Inscription not by Turner: The Artist’s Name and Address
Source: Tate Modern
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Publication Date: c.1827–8
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Inscription by Turner: Subjects and Names
Source: Tate Modern
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Publication Date: c.1797
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Inscription by Turner: Notes on Ancient Art and Architecture
Source: Tate Modern
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Publication Date: c.1808–11
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Inscription by Turner: Names and Addresses
Source: Tate Modern
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Publication Date: ?1794
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Hospice of the Great St Bernard II (The Dead-House)
Source: Tate Modern
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Publication Date: 1830
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Honfleur, Normandy from the East
Source: Tate Modern
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Publication Date: c.1832
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HMS ‘Victory’ and HMS ‘Melville’ at Portsmouth
Source: Tate Modern
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Publication Date: c.1827
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Historical Study: ?For ‘The Goddess of Discord Choosing the Apple of Contention in the Garden of the Hesperides’ or ‘Apollo and Python’
Source: Tate Modern
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Publication Date: 1802–11
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