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(1) View up the Nahe, past the Drusus Bridge, from the West Bank of the Rhine; (2) The Drusus Bridge over the Nahe, Looking down the Nahe to Bingen at its Confluence with the Rhine; (3) View from Bingen across the Rhine to Rüdesheim
Source: Tate Modern
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Publication Date: 1817
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(1) View Looking Downstream towards the Ehrenthaler Werth and Hirzenach from the West Bank; (2) View Looking Upstream to Burg Maus and St Martin’s Church, Wellmich; (3) and (4) Burg Maus and Wellmich, Looking Upstream through Trees on the West Bank
Source: Tate Modern
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Publication Date: 1817
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(1) The Rhine Front at Mainz; (2) View down the Rhine at Mainz Showing the Bridge of Boats to Kastel; (3) Burg Heimburg and Niederheimbach from the Rhine, Looking Downstream; (4) Burg Nollig and Lorch from the Rhine, Looking Downstream
Source: Tate Modern
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Publication Date: 1817
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(1) Sketch; (2) The Mäuseturm, Burg Klopp and Bingen, Upstream; (3) Burg Ehrenfels, Downstream, with Detail of the Burg; (4) The Mäuseturm, Burg Klopp and Bingen, Looking Upstream from the Binger Loch; (5) The Maüseturm and Burg Ehrenfels, Downstream
Source: Tate Modern
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Publication Date: 1833
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(1) Burg Klopp, Bingen and the Bridge over the Nahe, as Seen from the Rhine; (2) View up the Rhine to Burg Ehrenfels; (3)-(7) Composition Studies, (7) Showing the Bridge and Abbey at Bingen; (8) View down the Rhine from just above Eltville
Source: Tate Modern
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Publication Date: 1817
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The Amphitheatre of Ancient Capua
Source: Tate Modern
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Publication Date: c.1794–8
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On the Coast of Posilippo near the Point
Source: Tate Modern
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Publication Date: c.1796–7
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Monte della Madonna, near Arcquà
Source: Tate Modern
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Publication Date: c.1794–8
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The Top of the Splügen Pass. II
Source: Tate Modern
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Publication Date: date not known
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Apollo, Pan, Midas. A Decoration
Source: Tate Modern
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Publication Date: date not known
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Apollo: Design for a Ceiling
Source: Tate Modern
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Publication Date: date not known
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Study for the Wellington Shield: Design for the Shield, Surrounded by Sketches of Various Figures. Verso: Studies of Horses’ Legs
Source: Tate Modern
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Publication Date: date not known
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Study Connected with J. Ritson’s ‘Caledonian Muse’: A Group of Nude Fighting Men. Verso: Various Studies Including a Group Seated round a Table
Source: Tate Modern
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Publication Date: 1821
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Standards, Trumpets and a Laurel Wreath. Design for a Tailpiece
Source: Tate Modern
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Publication Date: date not known
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Porchester Castle, engraved by W. Floyde
Source: Tate Modern
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Publication Date: 1836
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