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(1) A Fortified Gateway; (2) (3) A Walled Town; (4) (5) Composition Studies of River Scenery
Artist: Joseph Mallord William Turner
Source: Tate Modern
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Publication Date: 1833
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The Ponte Molle
Artist: Joseph Mallord William Turner, Thomas Girtin
Source: Tate Modern
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Publication Date: c.1794–8
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The Capuchin Convent near Nemi
Artist: Joseph Mallord William Turner, Thomas Girtin
Source: Tate Modern
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Publication Date: c.1794–8
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On the River Acquacetosa
Artist: Joseph Mallord William Turner, Thomas Girtin
Source: Tate Modern
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Publication Date: c.1798
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Nemi: Buildings and Cliffs beside the River
Artist: Joseph Mallord William Turner, Thomas Girtin
Source: Tate Modern
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Publication Date: c.1794–8
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Between Rome and Albano
Artist: Joseph Mallord William Turner, Thomas Girtin
Source: Tate Modern
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Publication Date: c.1794–8
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Ariccia: View Looking up to the Church of Santa Maria
Artist: Joseph Mallord William Turner, Thomas Girtin
Source: Tate Modern
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Publication Date: c.1794–8
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Albano: A Ruined Building
Artist: Joseph Mallord William Turner, Thomas Girtin
Source: Tate Modern
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Publication Date: c.1794–8
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A View on the Arno
Artist: Joseph Mallord William Turner, Thomas Girtin
Source: Tate Modern
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Publication Date: c.1794–8
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Design for the Pediment of Queen’s College, Oxford
Artist: Sir James Thornhill
Source: Tate Modern
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Publication Date: 1716
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Landscape with Outcrop of Rock
Artist: Attributed to Richard Taylor
Source: Tate Modern
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Publication Date: date not known
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Italian Landscape
Artist: William Taverner
Source: Tate Modern
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Publication Date: date not known
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Diana and her Nymphs
Artist: William Taverner
Source: Tate Modern
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Publication Date: date not known
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An Artist’s Studio
Artist: Philippe Joseph Tassaert
Source: Tate Modern
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Publication Date: date not known
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Designs for ?a Ceiling with Circular Central Panel, Fairies, Putti, &c.
Artist: Thomas Stothard
Source: Tate Modern
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Publication Date: date not known
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A Standing Woman
Artist: Thomas Stothard
Source: Tate Modern
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Publication Date: date not known
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The Painter Who Pleased Nobody and Everybody
Artist: Thomas Stothard, formerly attributed to Edward Francis Burney
Source: Tate Modern
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Publication Date: date not known
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